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With her performances described as "human, multi-facited, emotional and real", Canadian
Contralto, Natalie Burdeny is fast becoming a versatile and sought-after
performer. Having recently made her debut in the title role of Carmen, Hilary Clark (Review Contributor - Opera Canada Magazine), described her voice as "... perfect for the part of Carmen. She showed an enviable understanding of the role, careful use of the many nuances of her vocal arsenal, to portray the vagaries of Carmen's personality. Her card scene was particularly memorable as she was able to counter-point the darkness of her fate against the frivolity of sopranos Frasquita and Mercedes".
Her
repertoire includes; Title Role (Carmen), Dinah (Trouble In Tahiti), Madame de la Haltière (Cendrillon), Dorabella (Cosi fan tutte), Mercedes
(Carmen), Hata (Prodaná Nevesta), Zweite Dame (Die
Zauberflöte), Marcellina (Le nozze di Figaro), Berta
(Il Barbiere di Siviglia), and Mother’s Voice (Les Contes
d’Hoffmann). Natalie performs frequently in concerts and
recitals, including oratorio. In 2009, after a year living
and working in Germany, she was welcomed home as the Contralto Soloist
in a performance of Verdi's Requiem with the Vancouver Philharmonic
Orchestra under the baton of Neil
Weisensel.
In previous years, Natalie performed extensively as a Mezzo Soprano. Praised
for her "warm mezzo" (Opera Canada – 2006), Natalie was a two time
recipient of the Vicky Modeland Ridgewell Memorial Scholarship for
Most Outstanding Mezzo Soprano. In 2007 she was the mezzo soloist for the
Saint-Saens Christmas Oratorio with Canadian Memorial Centre for
Peace. She has also performed chorus with
Vancouver Opera, Banff Opera as Theatre, Pacific Opera Victoria
and Burnaby Lyric Opera. She has studied extensivley with Canadian Soprano Heidi Klassen and is currently working with International Mezzo Soprano Victoria Livengood to continue to hone her skills and a singer and an actress.
A graduate
of the Classical & Contemporary Music program at Vancouver Community
College, Natalie also holds a multi-disciplinary Bachelor of Arts
degree from the University of Victoria with a focus on Germanic
Studies and Music History. In addition to her musical pursuits,
Natalie is the Administrator for Lyric Opera Studio of Weimar (Germany), the Managing and Artistic Director for Vancouver Concert Opera Co-Operative, and the Founder and Artistic Director for Vancouver Summer Opera Studio.
Future Engagements:
Maddalena in Rigoletto with Vancouver Concert Opera Co-Operative (February 2012)
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